"Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée" by Philip Glass, Katia Labèque, Marielle Labèque was released on February 23, 2024. The duration of Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philip Glass, Katia Labèque, Marielle Labèque's "Glass: Cocteau Trilogy" album is number 4 out of 30. On top of that, Italy appears to be the country where this track was created. The popularity of Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée by Philip Glass, Katia Labèque, Marielle Labèque to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les enfants terribles - Arr. for Piano duet by Michael Riesman: 7. Cocoon Of Shawls | Philip Glass, Katia & Marielle Labèque | F Major | 2 | 7B | 148 BPM | ||
Eclipse | David Chalmin, Katia Labèque, Marielle Labèque, Bryce Dessner | D♭ Major | 4 | 3B | 136 BPM | ||
6 Lieder Ohne Worte, Op. 18 in E-Dur: Vi. Am Arno. Wiegend Und Weich | Delphine von Schauroth, Arcadie Triboi | F Major | 0 | 7B | 68 BPM | ||
Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace | Ludwig van Beethoven, Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax | B♭ Major | 1 | 6B | 178 BPM | ||
Greater Antiphons: I. O Wisdom | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 110 BPM | ||
Petite Suite, Op. 1: No. 6, Serenade - Welte-Mignon 1042 | Alexander Borodin, Peter Phillips, Anatol von Rössel | D♭ Major | 1 | 3B | 71 BPM | ||
Morceaux Caractéristiques, Op. 36: No. 24, Aux Champs - From Aeolian Roll | Anton Arensky, Manuel Ruiz Del Corral | B Minor | 0 | 10A | 77 BPM | ||
Mozart: Flute Sonata in E Minor, K. 304: II. Tempo di menuetto (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM | ||
Petite Suite, CD 71: I. En bateau | Claude Debussy, Lang Lang, Gina Alice | A Minor | 1 | 8A | 126 BPM |