"2 Songs: No. 1. Tryst (In Fountain Court)" by John Ireland, Roderick Williams, Iain Burnside was released on May 27, 2008. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Ireland, Roderick Williams's "Ireland: 5 Poems / We'Ll To the Woods No More / Sea Fever / Santa Chiara (English Song, Vol. 18)" album is number 9 out of 27. The popularity of 2 Songs: No. 1. Tryst (In Fountain Court) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Songs: No. 1. Tryst (In Fountain Court) by John Ireland, Roderick Williams, Iain Burnside to be Vivace (lively and fast) because the track has a tempo of 163 テンポ, a half-time of 82テンポ, and a double-time of 326 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: II. Gloria | Louis Vierne, Michel Bouvard | A Major | 2 | 11B | 76 BPM | ||
52 Easy Chorale Preludes, Op. 67: No. 51. Jesus ist kommen | Max Reger, Bernhard Buttmann | G Minor | 0 | 6A | 70 BPM | ||
Flight Song | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 91 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
Epic March | John Ireland, Richard Hickox, London Symphony Orchestra | E Major | 3 | 12B | 179 BPM | ||
The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | B Minor | 0 | 10A | 126 BPM | ||
Ave Regina Coelorum | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 0 | 6B | 74 BPM | ||
Requiem, Op.48: Pie Jesu | Gabriel Fauré, London Musici, Richard Marlow, Camilla Otaki | B♭ Major | 0 | 6B | 138 BPM |