Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.18 in G sharp minor BWV887' came out on 2004. Since Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.18 in G sharp minor BWV887 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 84 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.18 in G sharp minor BWV887's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.18 in G sharp minor BWV887 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 15 in G major, BWV 860 | Luc Beauséjour | F♯ Major | 5 | 2B | 86 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 0 | 8B | 141 BPM | ||
Variatio 2. a 1 Clav. | Kimiko Ishizaka | G Major | 2 | 9B | 127 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 145 BPM | ||
Concerto for Strings in G Minor, RV 156: II. Adagio | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Suite No. 6 en Re Mayor | Pablo Casals | D Major | 2 | 10B | 120 BPM |