Gioachino Rossini, Italiano di Fiati, Paolo Pollastri made "Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak]" available on October 1, 2012. The duration of Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak] is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Rossini: Il Barbiere di Siviglia nella trascrizione per Harmonie di Wenzel Sedlak". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak] is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak] by Gioachino Rossini, Italiano di Fiati, Paolo Pollastri having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
Il Barbiere di Siviglia: Alfine eccoci qua - Ah! Qual colpo | Gioachino Rossini, Cesare Sterbini, Giuseppe Valdengo, Giuseppe Di Stefano, Lily Pons, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Manon Lescaut / Act 2: Intermezzo | Giacomo Puccini, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 63 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Il Barbiere di Siviglia: Dunque io son | Gioachino Rossini, Cesare Sterbini, Lily Pons, Giuseppe Valdengo, Alberto Erede | F♯ Major | 1 | 2B | 141 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM | ||
Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: III. MENUETTO (ALLEGRETTO) AND TRIO | Jeffrey Tate | G Major | 1 | 9B | 139 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM |