New Philharmonia Orchestra, Richard Baker, Raymond Leppard's 'The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Spoken introduction' came out on February 5, 2006. With The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Spoken introduction being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc". In this album, this song's track order is #19. The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Spoken introduction is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Spoken introduction by New Philharmonia Orchestra, Richard Baker, Raymond Leppard having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Major | 1 | 9B | 145 BPM | ||
3 Latin American Sketches: No. 2, Paisaje Mexicano | Aaron Copland, New Philharmonia Orchestra | F♯ Major | 1 | 2B | 70 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM | ||
Bruch: Violin Concerto No. 2 in D Minor, Op. 44: I. Adagio ma non troppo | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Piano Concerto No. 5 in E- Flat Major, Op. 73 "Emperor": I. Allegro (extract) | Ludwig van Beethoven, Bruno-Leonardo Gelber, Ferdinand Leitner, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 128 BPM |