Jean-Philippe Rameau, Jean Rondeau's 'Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau' came out on February 19, 2016. The duration of Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau is about 3 minutes long, at 3:28. Based on our data, "Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vertigo by Jean Rondeau. The song's track number on the album is #12 out of 16 tracks. The popularity of Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau by Jean-Philippe Rameau, Jean Rondeau has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau being at 166 テンポ, the half-time would be 83 テンポ with a double-time of 332 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM |