"Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows" by Minnesota Orchestra, Edo de Waart was released on November 8, 1999. With Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "R.Straus - Orchestral Works". In this album, this song's track order is #7. Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows by Minnesota Orchestra, Edo de Waart having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B.163: 2. Adagio | Antonín Dvořák, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 140 BPM | ||
Music for String Instruments, Percussion and Celesta: Adagio | Béla Bartók, SWF Symphony Orchestra, Zoltan Pesko | A♭ Major | 1 | 4B | 62 BPM | ||
Toccata and Fugue in D Minor, BWV 565: 2. Fugue | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 91 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op. 60: II. Romance | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra | G Minor | 0 | 6A | 105 BPM | ||
Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Arr. H. Alfeyev for Orchestra) | Johann Sebastian Bach, Russian National Orchestra, Hilarion Alfeyev | C Minor | 1 | 5A | 89 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM |