Sherlock Holmes - Die geheimen Fälle des Meisterdetektivs, Joachim Tennstedt, Detlef Bierstedt, Charles Rettinghaus, Hans-Werner Bussinger, Christian Rode, David Nathan, Sir Arthur Conan Doyle made "Kapitel 25 - Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß" available on November 22, 2013. The duration of Kapitel 25 - Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß is about 3 minutes long, at 3:00. Based on our data, "Kapitel 25 - Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 25 out of 51 in Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß by Sherlock Holmes - Die geheimen Fälle des Meisterdetektivs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Kapitel 25 - Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Kapitel 25 - Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß テンポ

The tempo marking of Kapitel 25 - Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß by Sherlock Holmes - Die geheimen Fälle des Meisterdetektivs, Joachim Tennstedt, Detlef Bierstedt, Charles Rettinghaus, Hans-Werner Bussinger, Christian Rode, David Nathan, Sir Arthur Conan Doyle is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Kapitel 25 - Folge 10: Der Vampir von Sussex / Das gefleckte Band / Der Fall Milverton / Der Teufelsfuß キー

This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.