"Far from Denmark, "Costume ball aboard Ship": Act II: Reel" by Hans Christian Lumbye, Joseph Glæser, Andreas Frederik Lincke, David Strong, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of Far from Denmark, "Costume ball aboard Ship": Act II: Reel is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Far from Denmark, "Costume ball aboard Ship": Act II: Reel's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Far from Denmark, "Costume ball aboard Ship": Act II: Reel's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Far from Denmark, "Costume ball aboard Ship": Act II: Reel by Hans Christian Lumbye, Joseph Glæser, Andreas Frederik Lincke, David Strong, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VIII. in G minor. Presto | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Wacht an der Donau! | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | D Major | 3 | 10B | 112 BPM |