James Ehnes's 'From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana)' came out on December 6, 2005. With this song being about 5 minutes long, at 4:56, "From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana)" by James Ehnes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Romantic Pieces (Dvorak, Janacek, Smetana)". In this album, this song's track order is #2. The popularity of From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana) by James Ehnes having a テンポ of 177 with a half-time of 88 テンポ and a double-time of 354 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles, Op. 47, B. 79: No. 2 in G Major, Tempo di minuetto. Grazioso | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | G Major | 1 | 9B | 101 BPM | ||
Sonata No. 2 in A Minor, BWV 1003: II. Fuga | Johann Sebastian Bach, James Ehnes | E Major | 3 | 12B | 120 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Violin Sonata No. 1 in D Minor, Op. 75: Allegro molto | Camille Saint-Saëns, James Ehnes, Wendy Chen | D Major | 2 | 10B | 86 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 126 BPM | ||
Violin Sonata in E-Flat, Op. 18: I. Allegro, ma non troppo | Richard Strauss, James Ehnes, Andrew Armstrong | E♭ Major | 1 | 5B | 105 BPM | ||
10 Pensées Lyriques, Op. 40: V. Berceuse | Jean Sibelius, James Ehnes, Andrew Armstrong | A Major | 2 | 11B | 103 BPM |