"27 Pieces for Viola da Gamba, WKO 186-212: Prelude, WKO 205" by Carl Friedrich Abel, John Dornenburg was released on January 1, 2004. The duration of 27 Pieces for Viola da Gamba, WKO 186-212: Prelude, WKO 205 is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 27 Pieces for Viola da Gamba, WKO 186-212: Prelude, WKO 205's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viola Da Gamba Recital: Dornenburg, John - Hume, T. / Sainte-Colombe, J. / Simpson, C. / Kuhnel, A. / Abel, C.F. by John Dornenburg. The song's track number on the album is #15 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. 27 Pieces for Viola da Gamba, WKO 186-212: Prelude, WKO 205 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 27 Pieces for Viola da Gamba, WKO 186-212: Prelude, WKO 205 by Carl Friedrich Abel, John Dornenburg has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 27 Pieces for Viola da Gamba, WKO 186-212: Prelude, WKO 205 being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
Notturno in F Major, P. 106: III. Adagio | Michael Haydn, German Chamber Academy Neuss, Johannes Goritzki | B♭ Major | 0 | 6B | 68 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
The Drexel Manuscript: Tempo di Menuet | Carl Friedrich Abel, Krzysztof Firlus | D♭ Major | 1 | 3B | 85 BPM | ||
Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |