"Serenade for tenor, horn & strings, Op. 31: Sonnet - O Soft Embalmer of the Still Midnight" by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra was released on January 1, 1993. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 26 in Britten: Serenade for tenor, horn and strings; Les Illuminations; Nocturne by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra, English Chamber Orchestra. Serenade for tenor, horn & strings, Op. 31: Sonnet - O Soft Embalmer of the Still Midnight is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade for tenor, horn & strings, Op. 31: Sonnet - O Soft Embalmer of the Still Midnight by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): V. Lullaby | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Liederkreis, Op. 39: No. 11, Im Walde | Robert Schumann, Sir Peter Pears, Benjamin Britten | D Major | 2 | 10B | 77 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Liederkreis, Op. 39: No. 6, Schöne Fremde | Robert Schumann, Sir Peter Pears, Benjamin Britten | B Major | 2 | 1B | 75 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): I. Pavane of the Sleeping Beauty (Pavane de la belle au bois dormant) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 71 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM |