"Canite tuba: I. Canite tuba in Sion" by Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena was released on January 1, 1997. The duration of Canite tuba: I. Canite tuba in Sion is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Canite tuba: I. Canite tuba in Sion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena's "Guerrero: Motecta" album is number 1 out of 39. Canite tuba: I. Canite tuba in Sion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canite tuba: I. Canite tuba in Sion by Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Liturgy of St. John Chrysostom: No. 6, O Come, Let Us Worship | Benedict Sheehan, The Saint Tikhon Choir, Jason Thoms | A Major | 1 | 11B | 76 BPM | ||
Pater noster, omnipotens Deus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | E Minor | 0 | 9A | 77 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Ave, lauderis | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Communion Hymn of Pascha - S. Trubachev | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | B Minor | 0 | 10A | 129 BPM |