Shizuka Kudo made "7" available on 1996. 7 is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 4 out of 10 in Doing by Shizuka Kudo. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of 7 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 7 by Shizuka Kudo is Presto (very, very fast), since this song has a tempo of 200 テンポ. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
糸 | Shizuka Kudo | B♭ Major | 2 | 6B | 140 BPM | ||
街角トワイライト | Shanels | E Minor | 9 | 9A | 165 BPM | ||
アジアの純真 | Puffy AmiYumi | E Major | 7 | 12B | 126 BPM | ||
BAD COMMUNICATION | B'z | D♭ Major | 10 | 3B | 120 BPM | ||
夏の終りのハーモニー | Yosui Inoue, Anzen Chitai | E Major | 6 | 12B | 78 BPM | ||
北酒場 | Takashi Hosokawa | E♭ Minor | 6 | 2A | 135 BPM | ||
Don't you see! | ZARD | A♭ Major | 9 | 4B | 130 BPM | ||
チョット (2019 Remastered) | Maki Ohguro | C Major | 9 | 8B | 128 BPM | ||
人として | Kaientai | G Major | 6 | 9B | 102 BPM | ||
Shake Hip! | Kome Kome Club | F Major | 10 | 7B | 166 BPM |