Louis Thomas Hardin, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra's 'Bird's Lament' came out on October 4, 2019. With Bird's Lament being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lucienne Renaudin Vary, Bill Elliot, BBC Concert Orchestra's "Mademoiselle in New York" album is number 6 out of 14. Bird's Lament is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bird's Lament by Louis Thomas Hardin, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon and Gigue in D Major, P. 37: I. Canon (Arranged by Charl du Plessis) | Johann Pachelbel, Charl du Plessis Trio | C Major | 0 | 8B | 140 BPM | ||
Vocalise | Sergei Rachmaninoff, Andrew Litton, Branford Marsalis, English Chamber Orchestra | D♭ Minor | 1 | 12A | 82 BPM | ||
Gershwin / Transc. Berisch: Porgy and Bess: Summertime | George Gershwin, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | B♭ Minor | 1 | 3A | 80 BPM | ||
Could It Be Magic | Espen Eriksen Trio | G Minor | 0 | 6A | 89 BPM | ||
Beethoven #7, 2nd Movement | David Helbock, Raphael Preuschl, Reinhold Schmölzer | A Minor | 0 | 8A | 129 BPM | ||
Les mains tombées du nid | Frédéric Chaslin, Julie Cherrier-Hoffmann, Lucienne Renaudin Vary | D Major | 1 | 10B | 108 BPM | ||
S'Wonderful / But Not for Me / I Got Rhythm / An American in Paris (Ballet) [Medley] | George Gershwin, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | B♭ Major | 2 | 6B | 108 BPM | ||
Ab Ovo (Arr. by Knoth) | Signum Saxophone Quartet | A Minor | 0 | 8A | 67 BPM | ||
I Got Plenty o’ Nuttin’ (From “Porgy and Bess”) | George Gershwin, Fazıl Say, Albert Regni, James Sapporito, Stanley Drucker, William Blossom | A♭ Minor | 2 | 1A | 105 BPM | ||
Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) | Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts | A Minor | 2 | 8A | 169 BPM |