"Mozart: Als Luise die Briefe, K. 520" by Wolfgang Amadeus Mozart, Barbara Bonney was released on October 1, 1991. With Mozart: Als Luise die Briefe, K. 520 being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Barbara Bonney's "Mozart : Lieder (Elatus)" album is number 14 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mozart: Als Luise die Briefe, K. 520 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Als Luise die Briefe, K. 520 by Wolfgang Amadeus Mozart, Barbara Bonney to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Schubert: Gretchen am Spinnrade, Op. 2, D. 118 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D Minor | 1 | 7A | 74 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Elias, Op. 70, MWV A25, Part I: Introduction "So wahr der Herr, der Gott Israels, lebet" (Elijah) | Felix Mendelssohn, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Winterlied | Gustav Mahler, Bernarda Fink, Anthony Spiri | D♭ Minor | 1 | 12A | 133 BPM | ||
Così fan tutte, K. 588: Act 1: Coro "Bella Vita Militar!" - Recitativo "Non V'è Più Tempo" | Wolfgang Amadeus Mozart, Concerto Köln, Pietro Spagnoli, Bernarda Fink, Werner Güra, Kölner Kammerchor, René Jacobs, Véronique Gens, Marcel Boone | D Major | 1 | 10B | 130 BPM | ||
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Alles, was Odem hat" | Felix Mendelssohn, GewandhausChor, Chor der Oper Leipzig, Gewandhausorchester, Riccardo Chailly | A Major | 5 | 11B | 73 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Sir Roger Norrington, Andreas Schmidt, Nancy Argenta, London Classical Players | D♭ Major | 1 | 3B | 178 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM |