"Suite liturgique: III. Alleluia" by André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl was released on October 1, 2013. The duration of Suite liturgique: III. Alleluia is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Suite liturgique: III. Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Jolivet, Stefan Schilli, Christiane Karg, Cristina Bianchi, Marco Postinghel, Sebastian Klinger, Oliver Triendl's "Jolivet: Chamber Music for Oboe and Cor Anglais" album is number 12 out of 17. On top of that, Germany appears to be the country where this track was created. Suite liturgique: III. Alleluia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite liturgique: III. Alleluia by André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from "The Victorian Kitchen Garden": III. Mists. Lento melancolico | Paul Reade, Michael Collins, Michael McHale | D Major | 0 | 10B | 77 BPM | ||
King Kristian II, Op. 27: II. Elegie: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A♭ Major | 0 | 4B | 104 BPM | ||
Maurice Ravel: Pavane pour une Infante défunte - Arranged: Mason Jones | Gregory Miller, Ernest Barretta | E Minor | 0 | 9A | 101 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Sucinto | João Marcondes, Camerata Inaugural | F Major | 3 | 7B | 100 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Libertango | Astor Piazzolla, Massimo Data, Piero Barbareschi | A Minor | 1 | 8A | 103 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Cello Concerto 'Earth, Sea, Air': II. Sea | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | D Major | 3 | 10B | 85 BPM | ||
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 1. Introduction | Igor Stravinsky, Detroit Symphony Orchestra, Antal Doráti | D Minor | 4 | 7A | 115 BPM |