Erik Satie, Fumio Yasuda, Julie Läderach, Joachim Badenhorst's 'Pièces froides: Airs à faire fuir' came out on March 17, 2017. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 13 in Erik Satie: Musique d'entracte (Almost Forgotten Masterpieces) by Erik Satie, Fumio Yasuda, Julie Läderach, Joachim Badenhorst. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Pièces froides: Airs à faire fuir's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pièces froides: Airs à faire fuir by Erik Satie, Fumio Yasuda, Julie Läderach, Joachim Badenhorst is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante | Béla Bartók, Andrew Rangell | C Major | 0 | 8B | 88 BPM | ||
Etude | Joep Beving | A Minor | 0 | 8A | 126 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
Somewhere in Between | Jacob LaVallee | E Minor | 1 | 9A | 139 BPM | ||
Return to Versailles | Joshua Kyan Aalampour | D Minor | 0 | 7A | 167 BPM |