"Pachelbel : Suite No.6 in B flat major : IV Sarabande" by Johann Pachelbel, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard was released on 1965. The duration of Pachelbel : Suite No.6 in B flat major : IV Sarabande is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Pachelbel : Suite No.6 in B flat major : IV Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Pachelbel & Fasch: Orchestral Works". In this album, this song's track order is #5. In terms of popularity, Pachelbel : Suite No.6 in B flat major : IV Sarabande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pachelbel : Suite No.6 in B flat major : IV Sarabande by Johann Pachelbel, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Buongiorno Principessa (From "La vita è bella") | Nicola Piovani, Luigi Piovano, Archi di Santa Cecilia | A Major | 0 | 11B | 82 BPM | ||
Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
Orchestral Suite No.2 in B minor, BWV1067 - Badinerie | CHA Medical Center | B Minor | 2 | 10A | 116 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
Pavanne | Peter Cooper, Marcia Labella | F♯ Minor | 1 | 11A | 69 BPM | ||
Cantilena | Karl Jenkins | C Major | 1 | 8B | 134 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM |