"Violin Concerto No. 1 in F-Sharp Minor, Op. 14: I. Allegro moderato" by Henryk Wieniawski, Vadim Brodski, Polish National Radio Symphony Orchestra, Antoni Wit was released on April 1, 2013. Violin Concerto No. 1 in F-Sharp Minor, Op. 14: I. Allegro moderato appears to be safe for all ages as it is not explicit. This song is part of Wienawski: Violin Concertos Nos. 1 & 2, Fantaisie brillante on themes from Gounod's Faust, Kujawiak in A minor & Obertas by Henryk Wieniawski, Vadim Brodski, Antoni Wit, Tomasz Michalak. The song's track number on the album is #1 out of 9 tracks. In terms of popularity, Violin Concerto No. 1 in F-Sharp Minor, Op. 14: I. Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto No. 1 in F-Sharp Minor, Op. 14: I. Allegro moderato by Henryk Wieniawski, Vadim Brodski, Polish National Radio Symphony Orchestra, Antoni Wit has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concerto No. 1 in F-Sharp Minor, Op. 14: I. Allegro moderato being at 102 テンポ, the half-time would be 51 テンポ with a double-time of 204 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Sonata for Violin Solo No. 2 in A Minor, BWV 1003: 1. Grave | Johann Sebastian Bach, Hilary Hahn | C Major | 1 | 8B | 87 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | G Major | 0 | 9B | 78 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 3 in D Minor "Ballade" | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 108 BPM | ||
Walton: Viola Concerto: I. Andante comodo | William Walton, David Aaron Carpenter, Vladimir Jurowski, London Philharmonic Orchestra | A Minor | 1 | 8A | 129 BPM |