"Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live)" by Emilio de' Cavalieri, Antonio Abete, Roberto Mattei, Gemma Bertagnolli, Berta Rossetti, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini had its release date on January 13, 1994. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 47 in Cavalieri: Rappresentatione di anima, et di corpo (Live) by Emilio de' Cavalieri, Antonio Abete, Claudio Cavina, Roberto Mattei, Berta Rossetti, Marco Longhini. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live) by Emilio de' Cavalieri, Antonio Abete, Roberto Mattei, Gemma Bertagnolli, Berta Rossetti, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rappresentatione di anima, et di corpo: Ogni lingua ogni core (Live) | Emilio de' Cavalieri, Gemma Bertagnolli, Roberto Mattei, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | G Major | 2 | 9B | 137 BPM | ||
Lachrimæ Antiquæ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 92 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM |