Rodion Shchedrin, Bavarian Radio Symphony Orchestra, Mariss Jansons's 'Carmen Suite (After Bizet's WD 31): II. Dance [Live]' came out on January 3, 2020. The duration of Carmen Suite (After Bizet's WD 31): II. Dance [Live] is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Carmen Suite (After Bizet's WD 31): II. Dance [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rodion Shchedrin: Carmen Suite – Respighi: Pini di Roma (Live)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Carmen Suite (After Bizet's WD 31): II. Dance [Live] is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmen Suite (After Bizet's WD 31): II. Dance [Live] by Rodion Shchedrin, Bavarian Radio Symphony Orchestra, Mariss Jansons having a テンポ of 164 with a half-time of 82 テンポ and a double-time of 328 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Les Sylphides: 7. Valse in C♯ minor, Op. 64, No. 2 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 100 BPM | ||
Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
Double Concerto for Piano, Cello, and Orchestra "Romantic Offering": II. Allegro - Live | Rodion Shchedrin, Martha Argerich, Mischa Maisky, Verbier Festival Orchestra, Neeme Järvi | A Minor | 5 | 8A | 120 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 80 BPM |