"Concerto in A Minor for Piano and Orchestra, Op. 54: I. Allegro affetuoso - Intermezzo: Andantino grazioso" by Slovak Philharmonic, Marian Lapsansky was released on May 24, 2011. Concerto in A Minor for Piano and Orchestra, Op. 54: I. Allegro affetuoso - Intermezzo: Andantino grazioso appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Six Concertos - Two Pianists: Tchaikovksy, Chopin, Beethoven, Grieg, Kubik and Schumann". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Concerto in A Minor for Piano and Orchestra, Op. 54: I. Allegro affetuoso - Intermezzo: Andantino grazioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in A Minor for Piano and Orchestra, Op. 54: I. Allegro affetuoso - Intermezzo: Andantino grazioso by Slovak Philharmonic, Marian Lapsansky having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Andrew Davis, New Philharmonia Orchestra | G Major | 2 | 9B | 118 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
In The Steppes Of Central Asia | Slovak Philharmonic, Alexander Borodin | D Major | 0 | 10B | 77 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
Slavonic Dances, Series 1, Op. 46, B. 83: No. 8 | Antonín Dvořák, Slovak Philharmonic, Zdeněk Košler | A Minor | 0 | 8A | 150 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | F Minor | 1 | 4A | 105 BPM |