Isaac Albéniz, Narciso Yepes's 'Piezas caracteristicas, Op. 92 - Arr. For Guitar By Narciso Yepes: Torre bermeja. Serenata' came out on January 1, 1971. With this song being about 5 minutes long, at 4:30, "Piezas caracteristicas, Op. 92 - Arr. For Guitar By Narciso Yepes: Torre bermeja. Serenata" by Isaac Albéniz, Narciso Yepes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Nachte In Spanischen Garten". In this album, this song's track order is #15. Based on our statistics, Piezas caracteristicas, Op. 92 - Arr. For Guitar By Narciso Yepes: Torre bermeja. Serenata's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piezas caracteristicas, Op. 92 - Arr. For Guitar By Narciso Yepes: Torre bermeja. Serenata by Isaac Albéniz, Narciso Yepes having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] | Isaac Albéniz, John Williams | E Minor | 1 | 9A | 110 BPM | ||
Introduction et Allegro, M. 46 | Lavinia Meijer, Amsterdam Sinfonietta | E♭ Minor | 1 | 2A | 78 BPM | ||
Milonga | Jorge Cardoso, Gerald Garcia | D Minor | 1 | 7A | 114 BPM | ||
Romanian Folk Dances, Sz. 56 - Arr. for String Orchestra by Arthur Wilner | Béla Bartók, Orchestra of the Swan, David le Page | B Minor | 0 | 10A | 78 BPM | ||
Prelude No 1 | Heitor Villa-Lobos, Marco Antonio Anguiano | E Minor | 1 | 9A | 77 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): IV. Cadiz (Cancion) | Jason Vieaux, Isaac Albéniz | A Major | 1 | 11B | 95 BPM | ||
Chaconne in sol maggiore : Variazione 9 | Lazar Berman | G Minor | 0 | 6A | 66 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM |