Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor's 'Der Sommer: "Die düst'ren Wolken trennen sich"' came out on 2004. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, René Jacobs, Freiburger Barockorchester's "Haydn: Die Jahreszeiten" album is number 20 out of 44. On top of that, France appears to be the country where this track was created. Der Sommer: "Die düst'ren Wolken trennen sich" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Sommer: "Die düst'ren Wolken trennen sich" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op. 72, B. 147: 4. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 1 | 3B | 173 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : II. Largo - Larghetto | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
String Quartet, Op. 76, No. 4 in B-Flat Minor, 'Sunrise': I. Allegro con spirito | Joseph Haydn, Matangi Quartet | F Major | 1 | 7B | 136 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Bassoon Concerto in C Major, RV 473: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | D Minor | 1 | 7A | 102 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
From Holberg's Time, Op. 40: V. Rigaudon: Allegro con brio | Edvard Grieg, Moscow Soloists, Yuri Bashmet | C Major | 0 | 8B | 109 BPM |