"Handel: Concerto for Trumpet and Organ in D Minor (Reconstructed and Orchestrated by Jean Thilde): I. Largo" by George Frideric Handel, Maurice André, Sir Charles Mackerras, English Chamber Orchestra had its release date on 1999. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Handel: Concerto for Trumpet and Organ in D Minor (Reconstructed and Orchestrated by Jean Thilde): I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice André's "Music for Trumpet" album is number 8 out of 48. Handel: Concerto for Trumpet and Organ in D Minor (Reconstructed and Orchestrated by Jean Thilde): I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Concerto for Trumpet and Organ in D Minor (Reconstructed and Orchestrated by Jean Thilde): I. Largo by George Frideric Handel, Maurice André, Sir Charles Mackerras, English Chamber Orchestra to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM |