"Charpentier: Te Deum, H. 146: Prélude" by Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields was released on January 1, 1978. With Charpentier: Te Deum, H. 146: Prélude being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 20 in Charpentier: Te Deum, H. 146 & Magnificat, H. 74 by Marc-Antoine Charpentier, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Charpentier: Te Deum, H. 146: Prélude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charpentier: Te Deum, H. 146: Prélude by Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bernstein: Divertimento for Orchestra: II. Waltz | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 72 BPM | ||
Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio) | Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 121 BPM | ||
La Traviata: Ouverture | Giuseppe Verdi, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | E♭ Major | 4 | 5B | 114 BPM | ||
Mozart: Le Nozze di Figaro: Overture | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 126 BPM | ||
Charpentier: Magnificat, H. 74: Prélude | Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 115 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Allegro | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 3 | 7B | 131 BPM | ||
In The Silver Moonshine | Mingxin Du, Takako Nishizaki, Singapore Symphony Orchestra | G Major | 1 | 9B | 87 BPM | ||
Te Deum H146 - Prélude en Rondeau | Marc-Antoine Charpentier, Marzoratti Arnaud, Gester Martin, Le Parlement De Musique, Maîtrise de Bretagne, Salomé Haller, Brigitte Chevigné, François-n Geslot, Stephan Van Dyck | B♭ Major | 2 | 6B | 89 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM |