"Magnificat quinti toni: Versus 3. Tonus in basso" by Hieronymus Praetorius, Joseph Kelemen was released on October 7, 2014. The duration of Magnificat quinti toni: Versus 3. Tonus in basso is about 3 minutes long, at 3:28. Based on our data, "Magnificat quinti toni: Versus 3. Tonus in basso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Kelemen's "H. & J. Praetorius: Organ Music (Norddeutsche Orgelmeister, Vol. 6)" album is number 12 out of 24. In terms of popularity, Magnificat quinti toni: Versus 3. Tonus in basso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat quinti toni: Versus 3. Tonus in basso by Hieronymus Praetorius, Joseph Kelemen to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamentations Of Jeremiah | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
Graduale: II. In memoria aeterna | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 137 BPM | ||
Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM | ||
Magnificat Germanice: Versus 1 | Hieronymus Praetorius, Pieter Van Dijk | D Minor | 1 | 7A | 128 BPM | ||
Hymnen, Op. 140: Nr. 5 Angelus suis | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 102 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Johannes-Passion, SWV 481: I. Introitus | Heinrich Schütz, Kammerchor der Essener Domsingknaben, Harald Martini | A Minor | 1 | 8A | 126 BPM |