On November 7, 2011, the song "Sonata for flute and basso continuo in A Major: IV. Allegro" was released by Johann Friedrich Agricola, Emmanuel Pahud. The duration of Sonata for flute and basso continuo in A Major: IV. Allegro is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sonata for flute and basso continuo in A Major: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Flute King: Music from the Court of Frederick the Great". In this album, this song's track order is #14. Based on our statistics, Sonata for flute and basso continuo in A Major: IV. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata for flute and basso continuo in A Major: IV. Allegro by Johann Friedrich Agricola, Emmanuel Pahud having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, W. I/6: II. Andante | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | G Major | 0 | 9B | 85 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: IV. Postillons | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 118 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
Les fêtes d'Hébé, RCT 41, Prologue Scene 4: Air pour Zéphire et les grâces | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
"Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 114 BPM | ||
Concerto Grosso in C Major, Op. 1, No. 10: II. Allemanda. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 2 | 9B | 99 BPM | ||
Die Auferstehung des Erlösers: No. 2, Die Erde bebt | Johann Friedrich Agricola, Andre Morsch, Die Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 104 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM |