Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti's 'Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern' came out on January 1, 2012. The duration of Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern by Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Die Walküre, WWV 86B, Act III Scene 1: Walkürenritt - Hojotoho! Heiaha! (Live) | Richard Wagner, Alwyn Mellor, Anna Gabler, Jennifer Johnston, Claudia Huckle, Katherine Broderick, Eva Vogel, Anna Lapkovskaja, Simone Schröder, Bavarian Radio Symphony Orchestra, Sir Simon Rattle | G Major | 3 | 9B | 97 BPM | ||
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Requiem: XVII. Libera Me | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony Orchestra | C Minor | 1 | 5A | 118 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Sinfonia | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 131 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM |