Erik Chisholm, Murray McLachlan's 'From the True Edge of the Great World: No. 4. The Hour of the Sluagh' came out on April 1, 2013. With this song being about 5 minutes long, at 4:52, "From the True Edge of the Great World: No. 4. The Hour of the Sluagh" by Erik Chisholm, Murray McLachlan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 42 in Chisholm, E.: Music for Piano, Vol. 2 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. From the True Edge of the Great World: No. 4. The Hour of the Sluagh is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of From the True Edge of the Great World: No. 4. The Hour of the Sluagh by Erik Chisholm, Murray McLachlan is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
6 Charakterstücke, Op. 33: No. 4, Ständchen (Serenade) | Christian Sinding, Eva Knardahl | A♭ Major | 0 | 4B | 69 BPM | ||
Straloch Suite: I. Grave - Allegro con spirito - Grave | Erik Chisholm, Murray McLachlan | C Minor | 1 | 5A | 87 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variations 19 - 20 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
Lavignac: Galop-marche à huit mains (Arr. Lemoine for Piano 4-Hands) | Albert Lavignac, Alexandre Tharaud, Frank Braley | D Minor | 1 | 7A | 90 BPM | ||
Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
Pavana y Gallarda | Carlos Cruz de Castro, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Tout un monde lointain…: V. Hymne | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: II. Presto | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM |