"Symphony in G Major, Bryan G6: I. Allegro ma non molto" by Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon was released on March 1, 2005. Since Symphony in G Major, Bryan G6: I. Allegro ma non molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vanhal: Symphonies, Vol. 3 by Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon. The song's track number on the album is #13 out of 16 tracks. Based on our statistics, Symphony in G Major, Bryan G6: I. Allegro ma non molto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Symphony in G Major, Bryan G6: I. Allegro ma non molto by Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Symphony in G Major, Bryan G6: I. Allegro ma non molto being at 121 テンポ, the half-time would be 60 テンポ with a double-time of 242 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Bass Concerto in D Major: III. Finale: Allegro | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | D Major | 1 | 10B | 121 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Boccherini: Cello Concerto No. 8 in C Major, G. 481: III. Allegretto | Luigi Boccherini, Anner Bylsma, Concerto Amsterdam, Jaap Schröder | C Major | 3 | 8B | 80 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Sinfonia in B-Flat Major, Badley Bb1: III. Vivace | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | F Major | 1 | 7B | 130 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Viola Concerto No. 1 in D Major: II. Andante moderato | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | F Major | 0 | 7B | 178 BPM |