"For Ādolfs Kaktiņš" by Jānis Zālīts, Latvian Radio Choir, Sigvards Kļava was released on November 22, 2019. The duration of For Ādolfs Kaktiņš is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. For Ādolfs Kaktiņš's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zālīts: Complete Choral Songs (1884-1943) by Jānis Zālīts, Latvian Radio Choir, Sigvards Kļava. The song's track number on the album is #3 out of 44 tracks. Based on our data, Latvia was the country where this track was produced or recorded. Based on our statistics, For Ādolfs Kaktiņš's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since For Ādolfs Kaktiņš by Jānis Zālīts, Latvian Radio Choir, Sigvards Kļava has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With For Ādolfs Kaktiņš being at 126 テンポ, the half-time would be 63 テンポ with a double-time of 252 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K.527, Act II: Recitativo accompagnato. "In quali eccessi, o Numi" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Lohengrin, WWV 75 / Act I: "Nun sei bedankt, mein lieber Schwan!" | Richard Wagner, Cheryl Studer, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | F Minor | 6 | 4A | 138 BPM | ||
O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
All-night Vigil, Op. 44: Blazhen muzh | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker, Tom Butler | C Minor | 1 | 5A | 133 BPM | ||
Winterreise, D. 911: No. 19, Täuschung | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
Fairy Queen, Z. 629: One charming night - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 133 BPM | ||
Stabat Mater, FP 148: III. O quam tristis | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | F♯ Major | 0 | 2B | 91 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM |