João Carlos Martins' Bach, Bachiana Chamber made "Sonata para Flauta e Contínuo No. 2, BWV 1031: IX. Siciliano" available on December 17, 2007. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Natal Com Bach". In this album, this song's track order is #9. In terms of popularity, Sonata para Flauta e Contínuo No. 2, BWV 1031: IX. Siciliano is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata para Flauta e Contínuo No. 2, BWV 1031: IX. Siciliano by João Carlos Martins' Bach, Bachiana Chamber having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM |