Isaac Albéniz, Alicia de Larrocha's 'Suite española No. 1, Op. 47: Sevilla (Sevillanas)' came out on February 19, 1988. With this song being about 5 minutes long, at 4:37, "Suite española No. 1, Op. 47: Sevilla (Sevillanas)" by Isaac Albéniz, Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 21 in Albéniz: Ibéria; Navarra; Suite Española by Isaac Albéniz, Alicia de Larrocha. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Suite española No. 1, Op. 47: Sevilla (Sevillanas) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite española No. 1, Op. 47: Sevilla (Sevillanas) by Isaac Albéniz, Alicia de Larrocha is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas Españolas, Op. 37: V. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 167 BPM | ||
Romance In B Flat Major, Op. 28 : Romance | Gabriel Fauré, Pascal Devoyon, Dong-Suk Kang | A Major | 2 | 11B | 89 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
12 Danzas Españolas Op. 37: 5. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 172 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Carnaval, Op. 9: 3. Arlequin | Robert Schumann, Alicia de Larrocha | A♭ Major | 0 | 4B | 78 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM |