Misako Odani made "あの夏の日々" available on February 21, 1997. The duration of あの夏の日々 is about 3 minutes long, at 3:01. Based on our data, "あの夏の日々" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "PROFILE-too early to tell-". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. Based on our statistics, あの夏の日々's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With あの夏の日々 by Misako Odani having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ブルースで死にな | Ryudo Uzaki | D Minor | 5 | 7A | 72 BPM | ||
春遅し | Misako Odani | D Major | 7 | 10B | 88 BPM | ||
私少し疲れたの | Mayumi Itsuwa | F Minor | 4 | 4A | 110 BPM | ||
キススイカカレ | Kohmi Hirose | C Major | 4 | 8B | 124 BPM | ||
夕陽を追いかけて | TULIP | E Minor | 4 | 9A | 125 BPM | ||
終わらない歌 | PERSONZ | C Major | 5 | 8B | 124 BPM | ||
どうでもいいの | Yumi Tanimura | F♯ Major | 7 | 2B | 146 BPM | ||
ほんとうに愛ができること | Masatoshi Nakamura | D Major | 8 | 10B | 124 BPM | ||
ずっと一緒にいよう | Megumi Shiina | G Major | 6 | 9B | 83 BPM | ||
ほんとうのじぶん | 素 | D♭ Major | 3 | 3B | 138 BPM |