"Oration, Concerto elegiaco, H. 180: VI. Allegro" by Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth was released on May 31, 2024. The duration of Oration, Concerto elegiaco, H. 180: VI. Allegro is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Oration, Concerto elegiaco, H. 180: VI. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 14 in Earth, Sea, Air, British Music for Cello and Orchestra by Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Oration, Concerto elegiaco, H. 180: VI. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oration, Concerto elegiaco, H. 180: VI. Allegro by Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Light Year: II. Stella Polaris | Kenneth Fuchs, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 93 BPM | ||
Romanian Folk Dances, Sz. 68: No. 3, Pe loc | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: II. Pantomime | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | B Major | 3 | 1B | 82 BPM | ||
The Tempest, Op. 18: II. Allegro moderato | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | E Minor | 2 | 9A | 92 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases dod (The Death of Ase) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | B Minor | 0 | 10A | 84 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM |