"Fanfare for the Uncommon Woman No. 1 (Live)" by Joan Tower, The St. Olaf Band, Timothy Mahr was released on February 1, 2003. The duration of Fanfare for the Uncommon Woman No. 1 (Live) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Fanfare for the Uncommon Woman No. 1 (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Portrait of America (Live)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Fanfare for the Uncommon Woman No. 1 (Live) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fanfare for the Uncommon Woman No. 1 (Live) by Joan Tower, The St. Olaf Band, Timothy Mahr having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las tres culturas: 3. Los pasos de Jehova | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 144 BPM | ||
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
Oration, Concerto elegiaco, H. 180: III. Ben moderato (poco lento) – Poco lento | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Symphony No. 9 in D Major: II. Ländler: No. 5, Tempo I. Wie zu Anfang | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | E Minor | 0 | 9A | 101 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: III. Madrigal | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
No Longer Very Clear: II. Or Like a...an Engine | Joan Tower, Ursula Oppens, Melvin Chen | B Major | 2 | 1B | 141 BPM |