"Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Recitativo" by Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Jan Kobow, Ricercar Consort, Katharine Fuge was released on 2001. Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Recitativo is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 3 out of 17 in Bach: Actus Tragicus by Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jan Kobow, Katharine Fuge, Stephan MacLeod. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Recitativo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: Recitativo by Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Jan Kobow, Ricercar Consort, Katharine Fuge is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM |