"Conversation with Myself" by Maryna Aksenov was released on September 18, 2021. The duration of Conversation with Myself is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Conversation with Myself's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Conversation with Myself and no other songs are present in the album, we classify this track as a single. Based on our statistics, Conversation with Myself's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Conversation with Myself by Maryna Aksenov is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adieu Nocturne No. 1 in A Minor -Adieu- | Carlos Marquez | A Minor | 1 | 8A | 99 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Intermezzo (Cavalleria Rusticana) | Domenico Monleone, Pietro Mascagni, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 4 | 7B | 87 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Maxim Bernard | F Major | 0 | 7B | 134 BPM | ||
Nightsong | Gabríel Ólafs | C Major | 0 | 8B | 136 BPM | ||
Die Zauberflöte: Aria Variation (Arr. for Piano from K. 620 by Vivan und Ketan Bhatti) | Wolfgang Amadeus Mozart, Olga Scheps | C Major | 2 | 8B | 102 BPM | ||
Morning Lullaby | Dora Bondy | G Minor | 0 | 6A | 124 BPM | ||
Mia | Wide Eyed | A Major | 2 | 11B | 85 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM |