"Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto" by Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit was released on August 7, 1998. Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rachmaninov: Piano Concertos Nos. 2 & 3". In this album, this song's track order is #2. In terms of popularity, Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto by Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopedie | St. Mark's Philharmonic Orchestra | G Major | 0 | 9B | 129 BPM | ||
Adagio for Strings and Organ in G minor | Remo Giazotto, Maria Teresa Garatti, I Musici | C Minor | 1 | 5A | 111 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: X. Jesu bleibet meine Freude (Arr. for Piano) | Alena Cherny | G Major | 0 | 9B | 66 BPM | ||
Bach: Praeludium I | Patrik Jablonski | C Major | 0 | 8B | 132 BPM | ||
Fur Elise | Lima Musica | A Minor | 1 | 8A | 147 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
Salut d'amour, Op. 12 (Arr. Cello & Piano) | Edward Elgar, Lynn Harrell, Bruno Canino | D Major | 1 | 10B | 144 BPM | ||
Etude No.12 Op.10-12 C Minor 'Revolution' | Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann | F Minor | 1 | 4A | 98 BPM |