Paul Hindemith, Maria Shetty, Monika Wilińska-Tarcholik's 'Sonata for Solo Viola, Op. 25 No. 1: I. Breit. Viertel' came out on April 26, 2024. The duration of Sonata for Solo Viola, Op. 25 No. 1: I. Breit. Viertel is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Sonata for Solo Viola, Op. 25 No. 1: I. Breit. Viertel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Maria Shetty, Monika Wilińska-Tarcholik's "Hindemith: Sonatas for Viola" album is number 4 out of 11. On top of that, Poland appears to be the country where this track was created. Based on our statistics, Sonata for Solo Viola, Op. 25 No. 1: I. Breit. Viertel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Solo Viola, Op. 25 No. 1: I. Breit. Viertel by Paul Hindemith, Maria Shetty, Monika Wilińska-Tarcholik to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
Sonata for Viola and Piano No.2 in E flat, Op.120 No.2: 1. Allegro amabile | Johannes Brahms, Kim Kashkashian, Robert Levin | E♭ Major | 0 | 5B | 102 BPM | ||
Pièce, Op. 189 | Mel Bonis, Juliette Hurel, Hélène Couvert | C Major | 0 | 8B | 94 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Hindemith: Kammermusik No. 1 for 12 Solo Instruments, Op. 24 No. 1: IV. Finale 1921 (Lebhaft) | Paul Hindemith, Claudio Abbado, Berliner Philharmoniker | E Minor | 2 | 9A | 178 BPM |