"3 Studies, BB 81, Sz. 72 (Op.18): 2. Andante sostenuto - Più mosso" by Béla Bartók, Zoltán Kocsis was released on August 5, 1994. The duration of 3 Studies, BB 81, Sz. 72 (Op.18): 2. Andante sostenuto - Più mosso is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 3 Studies, BB 81, Sz. 72 (Op.18): 2. Andante sostenuto - Più mosso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Bartók: Works for Solo Piano, Vol. 2 by Béla Bartók, Zoltán Kocsis. In terms of popularity, 3 Studies, BB 81, Sz. 72 (Op.18): 2. Andante sostenuto - Più mosso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Studies, BB 81, Sz. 72 (Op.18): 2. Andante sostenuto - Più mosso by Béla Bartók, Zoltán Kocsis is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM |