"O quam mirabilis est (Antiphona)" by Hildegard von Bingen, Sequentia, Barbara Thornton was released on 1985. The duration of O quam mirabilis est (Antiphona) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. O quam mirabilis est (Antiphona)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans's "Hildegard Von Bingen: Geistliche Gesänge" album is number 1 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, O quam mirabilis est (Antiphona)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O quam mirabilis est (Antiphona) by Hildegard von Bingen, Sequentia, Barbara Thornton to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cum processit factura digiti Dei | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 76 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
Ti partir cor mio caro | Filippo Azzaiolo, Shirley Rumsey | D Major | 1 | 10B | 124 BPM | ||
The Cherubic Hymn, Op. 37 No. 1 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | G Minor | 1 | 6A | 61 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
Liturgical Chants: Ave Maria | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 82 BPM | ||
Ecclesie militantis | Guillaume Dufay, Pomerium, Alexander Blachly | F Major | 2 | 7B | 76 BPM | ||
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM |