Giya Kancheli, Polina Osetinskaya, Julian Milkis's '18 Miniatures for Violin and Piano: No. 9, Dolcissimo (Arr. Julian Milkis)' came out on October 21, 2022. The duration of 18 Miniatures for Violin and Piano: No. 9, Dolcissimo (Arr. Julian Milkis) is about 3 minutes long, at 3:16. Based on our data, "18 Miniatures for Violin and Piano: No. 9, Dolcissimo (Arr. Julian Milkis)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giya Kancheli, Polina Osetinskaya, Julian Milkis's "Kancheli: Music for Film and Theatre for Clarinet and Piano" album is number 9 out of 20. On top of that, Russia appears to be the country where this track was created. In terms of popularity, 18 Miniatures for Violin and Piano: No. 9, Dolcissimo (Arr. Julian Milkis) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 18 Miniatures for Violin and Piano: No. 9, Dolcissimo (Arr. Julian Milkis) by Giya Kancheli, Polina Osetinskaya, Julian Milkis to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khanuma | Dato Gomarteli, Giya Kancheli | E♭ Major | 6 | 5B | 103 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Flow | Anja Lechner, François Couturier | D♭ Minor | 0 | 12A | 118 BPM |