Jean-Philippe Rameau, Les Arts Florissants, William Christie made "Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet" available on October 14, 1991. With Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture No. 6 in G Minor: I: Allegro | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | C Minor | 1 | 5A | 126 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 120 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Purcell : King Arthur : Act 5 Symphony | William Christie | B♭ Major | 1 | 6B | 86 BPM | ||
Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Sonata No. 5 in C Major: 1. Andante | Baldassare Galuppi, Arturo Benedetti Michelangeli | C Major | 0 | 8B | 176 BPM | ||
Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM | ||
Follia | Bernardo Storace, Jordi Savall, Hespèrion XXI | F♯ Minor | 3 | 11A | 112 BPM | ||
The Key | George Fenton | A♭ Minor | 3 | 1A | 96 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM |