"Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister)" by Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov had its release date on January 1, 1990. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mischa Maisky, Pavel Gililov's "Mischa Maisky - Meditation" album is number 4 out of 18. Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) by Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Solo Cello No. 6 in D Major, BWV 1012: V. Gavotte I-II | Johann Sebastian Bach, Mischa Maisky | D Major | 1 | 10B | 65 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 82 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Franck / Arr. Kenner: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Kyung Wha Chung | G Major | 0 | 9B | 83 BPM | ||
Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
Ne zazhigy ognya !, Op. 38, No. 3 | Anton Arensky, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 93 BPM |