Giovanni Bottesini, Rick Stotijn, Monika Leskovar, Amsterdam Sinfonietta, Candida Thompson's 'Duo concertant on Themes of Bellini's "I Puritani" (Arr. for Cello, Double Bass and Strings by Marijn van Prooijen)' came out on January 1, 2012. Duo concertant on Themes of Bellini's "I Puritani" (Arr. for Cello, Double Bass and Strings by Marijn van Prooijen) appears to be safe for all ages as it is not explicit. The song is number 6 out of 6 in Bottesini: Capriccio di Bravura by Giovanni Bottesini, Rick Stotijn. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Duo concertant on Themes of Bellini's "I Puritani" (Arr. for Cello, Double Bass and Strings by Marijn van Prooijen) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Duo concertant on Themes of Bellini's "I Puritani" (Arr. for Cello, Double Bass and Strings by Marijn van Prooijen) by Giovanni Bottesini, Rick Stotijn, Monika Leskovar, Amsterdam Sinfonietta, Candida Thompson is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
30 Piano études, Op. 26: No. 1 in C Major, Allegro moderato ed energico | Louise Farrenc, Maria Stratigou | E♭ Major | 0 | 5B | 76 BPM | ||
Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Symphony No.5 In C Minor, Op.67: 2. Andante con moto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 81 BPM | ||
Debussy: Première rapsodie in B-Flat Major, CD 124, L. 116 (Orchestral Version) | Claude Debussy, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 113 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM |