Kemal Belevi, Hasan Çakırsoy made "Ten Studies for Guitar: Study No. 8" available on March 18, 2022. The duration of Ten Studies for Guitar: Study No. 8 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Ten Studies for Guitar: Study No. 8's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Ten Studies for Guitar by Kemal Belevi". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Ten Studies for Guitar: Study No. 8 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ten Studies for Guitar: Study No. 8 by Kemal Belevi, Hasan Çakırsoy having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hola Santiago | Carlos Moscardini | D Major | 3 | 10B | 133 BPM | ||
Little Sonata, Pt. I. Moderto Galante | Marek Pasieczny | D Major | 2 | 10B | 121 BPM | ||
Minidanza del siglo XX - Nº 3 | Antonio Chover Salom, Carlos Blanco Ruiz | E Major | 0 | 12B | 77 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Danny Yeh | A Major | 1 | 11B | 63 BPM | ||
Turkish Suite: III. Hicaz | Kemal Belevi, Duo Tandem | A Minor | 2 | 8A | 159 BPM | ||
Sonata for Solo Violin No. 3 in C Major, BWV 1005: III. Largo | Johann Sebastian Bach, Park Kyuhee | F Major | 1 | 7B | 142 BPM | ||
Vẫn Có Em Bên Đời | Trần Hoài Phương | E Minor | 1 | 9A | 62 BPM | ||
25 Etudes, Op.60: No.4 | Matteo Carcassi, Paco Hallak | D Major | 2 | 10B | 93 BPM | ||
Suite Buenos Aires for Flute and Guitar: I. Pompeya | Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon | A Minor | 0 | 8A | 128 BPM | ||
Stepping Lightly | Jeffrey McFadden | C Major | 1 | 8B | 119 BPM |