"Suite of Old American Dances: IV. Wallflower Waltz" by Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon was released on January 1, 1995. The duration of Suite of Old American Dances: IV. Wallflower Waltz is about 3 minutes long, at 3:27. Based on our data, "Suite of Old American Dances: IV. Wallflower Waltz" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 16 in Cincinnati Wind Symphony: American Variations by Brian L. Bowman, Eugene Migliaro Corporon. Suite of Old American Dances: IV. Wallflower Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite of Old American Dances: IV. Wallflower Waltz by Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
You Talk Just Like My Maw - Remastered | Oscar Hammerstein II, Robert Russell Bennett | D Major | 1 | 10B | 122 BPM | ||
Clarinet Concerto: IV. Allegrissimo | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | C Major | 3 | 8B | 148 BPM | ||
American Salute | Morton Gould, National Philharmonic Orchestra | G Minor | 5 | 6A | 135 BPM | ||
Sonoran Desert Holiday | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | D Major | 1 | 10B | 69 BPM | ||
Who Cares? (after Gershwin): Liza | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | B♭ Minor | 2 | 3A | 143 BPM | ||
Emperata Overture | Claude T. Smith, Taiwan Wind Ensemble, John P. Boyd | F Major | 2 | 7B | 69 BPM | ||
Suite from 'Hymn of the Highlands': III. Dundonnell | Koninklijke Biltse Harmonie | F♯ Major | 2 | 2B | 105 BPM | ||
Colossus Of Columbia | United States Air Force Band | A♭ Major | 6 | 4B | 131 BPM | ||
Colors: IV. Green | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | C Major | 3 | 8B | 76 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: I. March "Morris Dance" | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | F Major | 1 | 7B | 118 BPM |